Apropos
Yesterday, while driving down a street I always wondered about but never turned up, I stumbled on something interesting. It was a large labyrinth, the Dimeo Labyrinth, a heretofore unknown gem within minutes of my daily commute. My awesome friend Jesse and I took turns walking the labyrinth at the Garfield Conservatory not to long ago, it seemed fitting in the midst of this Jesse-lovefest to revisit a labyrinth.
First, from wikipedia:
Labyrinths are used by modern mystics to help achieve a contemplative state. Walking among the turnings, one loses track of direction and of the outside world, and thus quiets his mind. The result is a relaxed mental attitude, free of internal dialog. This is a form of meditation. Many people believe that meditation has health benefits as well as spiritual benefits. The Labyrinth Society provides a locator for modern labyrinths in North America.
Well I’ll be damned, I must be a mystic. But, I find labyrinths are more useful for focusing my thoughts. On this particular labyrinth I had Tom McCarthy’s novel Remainder on my mind. I picked it up after it won the 4th annual Believer Book Award and I was nearing the end of the novel when I set out on the labyrinth. It was apropos.
The novel is about details and the role they have in life, most importantly, how many of the intricate details that facilitate life–as a grown adult knows it–are automatic to most people, without thought. The protagonist becomes obsessed with the intricate details after his some accident and tries to re-enact large assemblies of intricate details involving several people. Then he begins to slow down the re-enactments to extract as much detail as possible, he turns seconds into eternities. The novel goes on to suggest a cause for the man’s obsession, true and fiction blend, blah blah blah, but the true joy of the novel only became apparent when I entered the labyrinth.
As I walked, meditatively concentrating on my breath, my mind raced through the sounds around me, the rocks crunching under my feet, the distant sound of birds, the wind. I slowed my step, concentrating as the guy in the novel did, on every muscle I could recall the name of. I imagined my muscles coordinating the next step, then executing it. A passing car broke me from my oblivion and my vision would rise to the forefront of my attention. Could I possibly remember every single possible bit of gravel? Are any two bits of stone in this labyrinth identical? What about the words carved in stone: “Clean”, “Brave”, what were the others? Then a red piece of string came into view, did it have any significance? Probably not, but then another appeared, that’s weird, then two together.
Before I knew it, I was at the center of the labyrinth, but I had been there for over an hour, it was strange and cool and at no point had I been void of internal dialog, but filled with it. From mimicking the sounds I was hearing to re-imaging the things I had seen, my mind was anything but silent, it was, however, focused, honed, keen.
It goes without saying, details are something else, when looking closer at things, you see things you don’t expect:




